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Elegia Classic


Elegia is an English label operating mainly in Italy, which until now devoted his activity to Organ repertoire, with some of the most interesting Italian soloists. In the next future Elegia will open his horizons to other musical fields, starting new collaborations with early music festivals and opening a new series based on unknown work of the authors of the Neapolitan School of 17th and 18th Centuries.

Webseite: http://www.elegiaclassics.com
E-Mail-Adresse: elegia@kdl-va.de

Die Veröffentlichungen des Labels "Elegia Classics"

Die Übersicht über die Publikationen des Labels Elegia ist noch nicht vollständig, wird aber stetig erweitert.

Bach "Christmas Organ Music"
Best.-Nr.: 8051770160267

Around the birth of 'the saviour' Bach composed a variety of musical themes with different flavours and functions, often coming back to the same chorale scheme, sometimes creating completely original pages.
Throughout such a great diversity of textures and colours stand out as constants the emotions of joy and astonishment surrounding the mystery of Jesus Christ's birth . Pipe-organ teacher from Alessandria conservatory “A. Vivaldi” Letizia Romiti offers in this CD some of the best known pages from memorables Bach's Christmas compositions.


  • Preludio e Fuga in Do maggiore BWV 531     
  • Nun komm, der Heiden Heiland [Vieni, Salvatore delle genti] BWV 659
  • In dulci jubilo BWV 729
  • Pastorale in Fa (Pastorella) BWV 590     
  • Das alte Jahre vergangen ist [Il vecchio anno è passato] BWV 614
  • In dir ist Freude [In te è la gioia] BWV 615
  • Variazioni Canoniche “Vom Himmel Hoch, da komm ‘ich her” [“Io vengo dall’alto dei cieli“] BWV 769

German Romantic Composers
Best.-Nr.: 8051770160366

This CD opens with Mendelessohn's (1809-1847) prelude and fuga in C minor Op. 37. The severity in the fuga reveals the solid counterpoints skills owned who managed to bring back to apogee J.S. Bach's music. This is forerun by emphasised violins hints within the moving prelude. The fervent farewell to J. Brahms's (1833-1897) life and music is here portrayed from well-known 'preludio al corale' 'Herzlich tut mich verlangen' N.10, from choral preludes 122, written in the very last years of Hamburg composer's life. Shuman's “Symphony Sketches” (1810-1856) draw inspiration from the “piano with foot pedals” instrument used to practice by pipeorgans players at thath time. The pleasant results of these preconditions descend clearly from piano frameworks, which find complete fulfilment in the "king of musical instruments", great variety of tones and textures.
Liechtenstein born Josef Gabriel Rheinberger (1839-1901) was a highly prolific composer. Nowadays he is remembered mostly for his remarkable pipe-organ works and in particular for his twenty “Sonate”.
From the 11th sonata is drawn the mellow Cantilène, sweet melody entrusted to oboe tones. Sigfrid Karg-Elert (1877-1933) was active both as performer and teacher and he developed a well pronounced impressionist musical style. His appellative “pipe-organ Debussy” hail from his music seductive shades and courageous modulations. The powerful and triumphal march “Nun danket alle Gott” op. 65 is one of his most famous and well achieved compositions. The conclusion of this collection, consecrated to German Romanticism, couldn't miss to homage the great Max Reger (1873-1916) here represented from the sinuous and stunning Melodia op.59 N. 11 and from the powerful Improvisation from Sonata opera 60 in D minor.


  • F. Mendelssohn (1809–1847): Preludio e Fuga in Do minore op.37
  • J. Brahms (1833–1897): Preludio al corale “Herzlich tut mich verlangen” op.122 n.10
  • J. Brahms (1833–1897): Preludio e Fuga in La minore WoO9
  • R. Schumann (1810–1856): Schizzi Sinfonici op.58
  • J. Rheinberger (1839–1901): Cantilène (dalla Sonata n.11)
  • S. Karg-Elert (1877–1903): Marcia trionfale sopra “Nun danket alle Gott” op.65
  • M. Reger (1873 – 1916): Melodia op.59 n.11
  • M. Reger (1873 – 1916): Improvisation (dalla Sonata op.60 in Re minore)

J.S. Bach - Transcriptions for saxophone and organ
Best.-Nr.: 0714573228005

Since the 19th century Bach’s music has been source for endless interpretations, transcriptions and adaptations: Bach’s perfect proportions and counterpoints have been played trough years on all kinds of instruments. The project “Riverberi” is giving his particular contribution on this compact disc, exploring Bach’s repertoire from an unusual point of view: the sax soprano (an instrument that Bach couldn’t know because invented later on) .


  • Concerto in Fa maggiore BWV 978 (trascrizione da Vivaldi, Op. 3, N. 3, RV 310)     
  • Preludio al corale «Wachet auf, ruft uns die Stimme» BWV 645
  • Variazioni Goldberg  BWV 988
  • Aria «Qui sedes» (dalla Messa in Si minore BWV 232)
  • Trio Sonata I BWV 525
  • Largo ma non tanto (dal Concerto in Re minore BWV 1043)
  • Aria «Mein gläubiges Herze» (dalla Cantata «Also hat Gott die Welt geliebt» BWV 68)
  • Sinfonia 7 in Mi minore BWV 793
  • Toccata e fuga in Re minore BWV 565 (organ solo)
  • Corale «Jesus bleibet meine Freude» (dalla Cantata «Herz und Mund und Tat und Leben» BWV 147)
  • Preludio al corale «Liebster Jesu, wir sind hier» BWV 731

Spanish Organ Fantasy
Best.-Nr.: 0754436592447

And nobody could be so mad not to pay his fantasies to the genius of Antonio de Cabezón. He was understood in this way not only in Spain, but also in Flanders and Italy, places where he lived, serving and following the catholic king Don Felipe our Sir, by whom he was deeply loved and highly considered than any other man of such quality could be by any other king.”
 Proemio to Obras de música (Madrid, 1578)


  • Antonio de Cabezón (1510-1566): Tiento IX de quinto tono
  • Antonio de Cabezón: Beata viscera Mariae Virginis
  • Antonio de Cabezón: Diferencias sobre la Pavana Italiana
  • Antonio de Cabezón: Pavana con su Glosa
  • Antonio de Cabezón: D'où vient cela
  • Antonio de Cabezón: Diferencias sobre el «Canto del Cavallero»
  • Antonio de Cabezón: Otras diferencias de Vacas
  • Juan de Cabezón (1515-1566): Pues a mi, desconsolado
  • Hernando de Cabezón (1541-1602): Doulce memoriae (Chançon de Pierre Sandrin)
  • Antonio Carreira (1529/30-1587/97): Cançao a Quatro glosada
  • Manuel Rodrigues Coelho (1555-1635): Primeira Susana glosada a 4 sobre a de 5
  • Francisco Correa de Arauxo (1584-1654): Tercero Tiento de Quarto Tono
  • Francisco Correa de Arauxo: Quinto Tiento de medio registro de tiple de Séptimo Tono
  • Francisco Correa de Arauxo: Tiento de Décimo Tono
  • Juan Bautista Cabanilles: Xácara


Versandkosten "Elegia Classics":

Inländische Bestellungen:
Es entstehen 3,90 € Versandkosten pauschal.

Bestellungen an eine ausländische Lieferadresse:
Versand nach Belgien, Niederlande, Frankreich, Luxemburg, Österreich, Schweiz, United Kingdom, Schweden, Dänemark:
Wir berechnen die Versandkosten pauschal mit 21,90 € pro Bestellung.

Versand restliche Länder der Welt:
Wir berechnen die Versandkosten pauschal mit 52,90 € pro Bestellung.

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Daniel Kunert - Musik-Medienhaus - Braunschweiger Heerstraße 7 - 29221 Celle - Telefon: 05141/308-1600 - Telefax: 05141/308-2615 - E-Mail: info@kdl-va.de
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